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Isaac Julien

From Wikipedia, the free encyclopedia

Sir
Isaac Julien
CBE RA
Born (1960-02-21) 21 February 1960 (age 64)
London, England
EducationSaint Martins School of Art
Occupation(s)Installation artist and filmmaker
Employer(s)UC Santa Cruz

Goldsmiths, University of London

Karlsruhe University of Arts and Design
Known forLooking for Langston (1989)
Websiteisaacjulien.com

Sir Isaac Julien CBE RA (born 21 February 1960[1]) is a British installation artist, filmmaker,[2] and Distinguished Professor of the Arts at the University of California, Santa Cruz.[3]

Early life

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Julien was born in the East End of London, one of the five children of his parents, who had migrated to Britain from St Lucia.[1] He graduated in 1985 from Saint Martin's School of Art, where he studied painting and fine art film. He co-founded Sankofa Film and Video Collective in 1983,[1] and was a founding member of Normal Films in 1991.[4]

Education

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In 1980, Julien organized the Sankofa Film and Video Collective[5] with, among others, Martina Attille, Maureen Blackwood, Nadine Marsh-Edwards, which was "dedicated to developing an independent black film culture in the areas of production, exhibition and audience". He received a BA Honours degree in Fine Art Film and Video from Saint Martins School of Art, London (1984),[4] where he worked alongside artists, film-makers and lecturers Malcolm Le Grice, William Raban, Anna Thew, Tina Keane, Vera Neubauer, and co-students, directors and film-makers Adam Finch, Richard Heslop and Sandra Lahire, and completed his postdoctoral studies at Les entrepreneurs de l'audiovisuel européen, Brussels (1989).[6]

Career

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Julien achieved prominence in the film world with his 1989 drama-documentary Looking for Langston, gaining a cult following with this poetic exploration of Langston Hughes and the Harlem Renaissance.[7] His following grew when his film Young Soul Rebels won the Semaine de la Critique prize for best film at the Cannes Film Festival in 1991.[8]

One of the objectives of Julien's work is to break down the barriers that exist between different artistic disciplines, drawing from and commenting on film, dance, photography, music, theatre, painting and sculpture, and uniting these to construct a powerfully visual narrative. Thematically, much of his work directly relates to experiences of black and gay identity (he is himself gay),[2] including issues of class, sexuality, and artistic and cultural history.[9][10]

Julien is a documentary filmmaker, and his work in this genre includes BaadAsssss Cinema, a film on the history and influence of blaxploitation cinema.[11]

In 2023, the Tate Gallery in London held a major retrospective of his work titled What Freedom Is to Me.[10][12][13] The exhibition was set to open at the Bonnefantenmuseum in Maastrict in March 2024.[14][15]

The Pérez Art Museum Miami acquired Julien's Ogun’s Return (Once Again... Statues Never Die) (2022) for the museum collection as part of its PAMM Fund for Black Art in 2024.[16] In this same year, Sir Isaac Julien's films were on view at the Smithsonian National Portrait Gallery, Washington DC, and the Whitney Museum of American Art, New York.[17][18] The first, a solo presentation and multichannel installation Isaac Julien: Lessons of the Hour—Frederick Douglass, and the latter, the cinematic installation Once Again . . . (Statues Never Die), a commentary on the life and work of Alain Locke, Harlem Renaissance philosopher, in dialogue with Albert C. Barnes about African art, at the 2024 Whitney Biennial.[19][20]

Collaborations

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Julien cites cultural theorist and sociologist Stuart Hall as an important influence on his filmmaking. Hall narrates a portion of Looking for Langston. Julien involves Hall in his work once more in the 1996 film Frantz Fanon: Black Skin, White Mask,[21] which tells the story of Frantz Fanon, the theorist and psychiatrist from Martinique.[22] As a member of the Sankofa Film and Video Collective, Julien made The Passion of Remembrance (1986), "which attempts to deal with the difficulties of constructing a documentary history of black political experience by foregrounding questions of chauvinism and homophobia."[23] In 2007, Julien participated in Performa 07 creating his first evening-length production Cast No Shadow in collaboration with Rusell Maliphant.

Other activities

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Since 2018, Julien has been a member of the Curatorial Advisory Group at the Zeitz Museum of Contemporary Art Africa.[24] In 2019, he was a member of the jury that selected Arthur Jafa as winner of the Prince Pierre Foundation's International Contemporary Art Prize.[25][26]

Recognition

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Julien was nominated for the Turner Prize in 2001, and in 2003 he won the Grand Jury Prize at the Kunstfilm Biennale in Cologne for his single-screen version of Baltimore.

Julien was appointed Commander of the Order of the British Empire (CBE) in the 2017 Birthday Honours for services to the arts[27] and was knighted in the 2022 Birthday Honours for services to diversity and inclusion in art.[28] He was elected a Royal Academician in 2017.[29]

Personal life

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Julien lives and works in London, England, and Santa Cruz, California. He works with his partner Mark Nash.

Julien was a visiting lecturer at Harvard University's Departments of Afro-American and Visual Environmental Studies, and was a visiting seminar leader in the MFA Art Practice programme at the School of Visual Arts, and a visiting professor at the Whitney Independent Study Program in New York City. He was also a research fellow at Goldsmiths College, University of London, and in September 2009 he became a professor at the Karlsruhe University of Arts and Design.[30]

In 2018, Julien joined UC Santa Cruz, where he is the distinguished professor of the arts.[31]

Julien is a patron of the Live Art Development Agency.[32]

Selected bibliography

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Installation pieces

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Playtime at the De Pont Museum of Contemporary Art in the Netherlands
  • Vagabondia (2000)
  • Paradise Omeros (2002)
  • Baltimore (2003)
  • Lost Boundaries (2003)
  • Radioactive (2004)
  • True North (2004)
  • Fantôme Afrique (2005)
  • Fantôme Créole (2005)
  • WESTERN UNION: Small Boats (2007)
  • Dungeness (2008)* Te Tonga Tuturu/True South (Apparatus) (2009)
  • TEN THOUSAND WAVES (2010)
  • PLAYTIME (2013)
  • A Marvellous Entanglement (2019)
  • Once Again... (Statues Never Die) (2022)

Filmography

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  • Who Killed Colin Roach? (1983)
  • Territories (1984)
  • The Passion of Remembrance (1986)
  • This is Not an AIDS Advertisement (1987)
  • Looking for Langston (1989)
  • Young Soul Rebels (1991)
  • Black and White in Colour (1992)
  • The Attendant (1993)
  • Darker Side of Black (1993)
  • The Question of Equality (senior producer) (1994)
  • Frantz Fanon: Black Skin, White Mask (1996)
  • Three (1999)
  • The Long Road to Mazatlan (1999)
  • Paradise Omeros (2002)
  • BaadAsssss Cinema (2002)
  • Baltimore (2003)
  • Derek (2008)
  • Ten Thousand Waves (2010)
  • Kapital (2013)
  • Playtime (2014)
  • Stones Against Diamonds (2015)
  • Lessons of the Hour: Frederick Douglass (2019)

Awards

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References

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  1. ^ a b c Annette Kuhn, "Julien, Isaac (1960–)", BFI Screen Online.
  2. ^ a b Rich, B. Ruby (14 May 2002). "Still a soul rebel: the work of Young Soul Rebels director Isaac Julien, from his films to his video installations, is honored with a retrospective". The Advocate. Archived from the original on 12 February 2007. Retrieved 1 April 2007.
  3. ^ "Isaac Julien | danm.ucsc.edu". danm.ucsc.edu. Retrieved 23 April 2023.
  4. ^ a b Barnett, Laura (26 November 2013). "Isaac Julien, artist – portrait of the artist". The Guardian. ISSN 0261-3077. Retrieved 1 May 2023.
  5. ^ "BFI Screenonline: Sankofa Film and Video Biography". www.screenonline.org.uk. Retrieved 1 May 2023.
  6. ^ "About Isaac Julien". Isaac Julien. Retrieved 23 April 2023.
  7. ^ Tate, Greg (8 December 1989). "The Cave: 'Looking for Langston'". Artforum. Retrieved 13 February 2024.
  8. ^ "Artworks". Isaac Julien. Retrieved 21 December 2020.
  9. ^ Dunks, Glenn (17 February 2018). "Isaac Julien: 'It's another watershed moment for history of queer rights'". The Guardian. ISSN 0261-3077. Retrieved 1 May 2023.
  10. ^ a b Fullerton, Elizabeth (30 April 2023). "Looking for Freedom, Isaac Julien Comes Home". The New York Times. Vol. 172, no. 59774. p. AR16. ISSN 0362-4331. Retrieved 1 May 2023.
  11. ^ "BaadAsssss Cinema". Isaac Julien. Retrieved 1 May 2023.
  12. ^ Tate. "Isaac Julien | Tate Britain". Tate. Retrieved 1 May 2023.
  13. ^ Cumming, Laura (30 April 2023). "Isaac Julien: What Freedom Is to Me review – ghosts, dandies and seduction". The Observer. ISSN 0029-7712. Retrieved 1 May 2023.
  14. ^ "Isaac Julien: What Freedom Is To Me". Isaac Julien: What Freedom Is To Me — Bonnefanten Maastricht. Retrieved 13 February 2024.
  15. ^ Schwabsky, Barry (18 December 2023). "Isaac Julien's Truth". ISSN 0027-8378. Retrieved 13 February 2024.
  16. ^ "Pérez Art Museum Miami Announces Acquisition of Artworks by Isaac Julien and Kennedy Yanko at Eleventh Annual Art + Soul Celebration • Pérez Art Museum Miami". Pérez Art Museum Miami. Retrieved 10 September 2024.
  17. ^ SisumD (6 December 2023). "Isaac Julien: Lessons of the Hour—Frederick Douglass". npg.si.edu. Retrieved 10 September 2024.
  18. ^ "Review | Video artwork captures the sweep of Frederick Douglass's oratory". Washington Post. 16 January 2024. ISSN 0190-8286. Retrieved 10 September 2024.
  19. ^ "Artforum commends Isaac Julien in its review of the Whitney Biennial". Victoria Miro. Retrieved 10 September 2024.
  20. ^ "Isaac Julien | Once Again . . . (Statues Never Die) | 2024 Whitney Biennial | Artist Interview". whitney.org. Retrieved 10 September 2024.
  21. ^ Weston, K. (January 2018). "Frantz Fanon: Black Skin White Mask". Sight & Sound. 28 (1): 100–103 – via International Bibliography of Theatre & Dance.
  22. ^ Julien, Isaac (June 2015). "Muse: Stuart Hall". Art in America (June/July Issue): 48–49. Archived from the original on 3 June 2015. Retrieved 13 July 2015.
  23. ^ Shail, Robert. (2007). British film directors : a critical guide. Edinburgh: Edinburgh University Press. ISBN 9780748629688. OCLC 430823389.
  24. ^ Olivier, Danielle (3 October 2018). "Zeitz MOCCA announces creation of Curatorial Advisory Group". Zeitz Museum of Contemporary Art Africa (Press release).
  25. ^ Armstrong, Annie (17 April 2019), "Here's the Shortlist for the $85,000 Prix International d’Art Contemporain", ARTnews.
  26. ^ "Arthur Jafa Wins $83,000 International Prize for Contemporary Art", Artforum, 16 October 2019.
  27. ^ "No. 61962". The London Gazette (Supplement). 17 June 2017. p. B9.
  28. ^ "No. 63714". The London Gazette (Supplement). 1 June 2022. p. B2.
  29. ^ "Isaac Julien – Artist". London: Royal Academy of Arts.
  30. ^ "TALK to the director ISAAC JULIEN". QUEER ACADEMY. 16 March 2019. Retrieved 1 May 2023.
  31. ^ Hernandez-Jason, Scott (25 September 2018). "New faculty to advance campus teaching, research". UC Santa Cruz News. Retrieved 26 September 2018.
  32. ^ "Live Art Development Agency". Archived from the original on 3 October 2011. Retrieved 9 February 2016.
  33. ^ Sinanovic, Jasmina (24 September 2013). "Isaac Julien to Deliver the 2004 Kessler Lecture, December 10 – CLAGS: Center for LGBTQ Studies". Retrieved 15 May 2022.
  34. ^ "Isaac Julien to deliver the James R. Brunder '83 Memorial Prize Lectures | Lesbian, Gay, Bisexual, and Transgender Studies". lgbts.yale.edu. September 2016. Retrieved 3 September 2018.
  35. ^ "Goslarer Kaiserring 2022 geht an Isaac Julien". stern.de (in German). 1 February 2022. Retrieved 2 February 2022.

Further reading

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Also published in: The Other Cinema, The Cinema of the Other, UNOPress, Napoli.
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Retrieved from "https://en.wikipedia.org/w/index.php?title=Isaac_Julien&oldid=1247966941"