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1980s in film

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The decade of the 1980s in Western cinema saw the return of studio-driven pictures, coming from the filmmaker-driven New Hollywood era of the 1970s.[1] The period was when the "high concept" picture was created by producer Don Simpson,[2] where films were expected to be easily marketable and understandable. Therefore, they had short cinematic plots that could be summarized in one or two sentences. Since its implementation, this method has become the most popular formula for modern Hollywood blockbusters. At the same time in Eastern cinema, the Hong Kong film industry entered a boom period that significantly elevated its prominence in the international market.

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The cinema of the 1980s covered many subgenres, with hybrids crossing between multiple genres. The course strengthened towards creating ever-larger megahit films, which earned more in their opening weeks than most previous movies due in part to scheduling releases when there were less competition for audience interest.

Content

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The decade saw an increased amount of nudity in film, as well as the increasing emphasis in the American industry on film franchises; especially in the science fiction, horror, and action genres. Much of the reliance on these effects-driven movies was due in part to the Star Wars films at the advent of this decade and the new cinematic visuals they helped to pioneer.

With the release of 1984's Red Dawn, the PG-13 rating was introduced in the U.S. to accommodate films that straddled the line between PG and R. Which was mainly due to the controversies surrounding the violence of the PG films Indiana Jones and the Temple of Doom and Gremlins from earlier that same year.[5]

Some have considered the 1980s in retrospect as one of the weaker decades for American cinema in terms of the qualities of the films released. Quentin Tarantino (director of Pulp Fiction) has voiced his own view that the 1980s was one of the worst eras for American films.[6] Film critic Kent Jones also shares this opinion.[7] However, film theorist David Bordwell countered this notion, saying that the "megapicture mentality" was already existent in the 1970s, which is evident in the ten highest-grossing films of that decade, as well as with how many of the filmmakers part of New Hollywood were still able to direct many great pictures in the 1980s (Martin Scorsese, Brian de Palma, John Carpenter, etc.).[8]

Highest-grossing films

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List of worldwide highest-grossing films
Rank Title Studio(s) Worldwide gross Year Ref
1 E.T. the Extra-Terrestrial Universal Pictures $792,942,069 1982
2 Star Wars: Episode V – The Empire Strikes Back 20th Century Fox $538,375,067 1980
3 Indiana Jones and the Last Crusade Paramount Pictures $474,171,806 1989
4 Batman Warner Bros. $411,348,924 1989
5 Back to the Future Universal Pictures $381,109,762 1985
6 Star Wars: Episode VI – Return of the Jedi 20th Century Fox $374,593,074 1983
7 Top Gun Paramount Pictures $357,463,748 1986
8 Rain Man Metro-Goldwyn-Mayer $354,825,435 1988
9 Raiders of the Lost Ark Paramount Pictures $353,988,025 1981
10 Indiana Jones and the Temple of Doom Paramount Pictures $333,080,271 1984
11 Back to the Future Part II Universal Pictures $331,950,002 1989
12 Who Framed Roger Rabbit Buena Vista / Touchstone Pictures $329,803,958 1988
13 Crocodile Dundee Paramount Pictures $328,203,506 1986
14 Fatal Attraction Paramount Pictures $320,099,997 1987
15 Beverly Hills Cop Paramount Pictures $316,300,000 1984
16 Rambo: First Blood Part II Carolco Pictures $300,400,000 1985
17 Rocky IV Metro-Goldwyn-Mayer $300,373,716 1985
18 Look Who's Talking TriStar $296,999,813 1989
19 Ghostbusters Columbia Pictures $296,578,797 1984
20 Coming to America Paramount Pictures $288,752,301 1988
21 Tootsie Columbia Pictures $241,000,000 1982
22 Crocodile Dundee II Paramount Pictures $239,606,210 1988
23 Dead Poets Society Buena Vista / Touchstone Pictures $235,860,116 1989
24 Lethal Weapon 2 Warner Bros. $227,853,986 1989
25 Honey, I Shrunk the Kids Buena Vista/Disney $222,724,172 1989
26 Twins Universal Pictures $216,614,388 1988
27 Ghostbusters II Columbia Pictures $215,394,738 1989
28 Dirty Dancing Vestron Pictures $214,600,000 1987
29 The Gods Must Be Crazy C.A.T. Films $200,000,000 1980
30 Rambo III Carolco $189,015,611 1988
31 The Little Mermaid Buena Vista/Disney $184,155,863 1989
32 A Fish Called Wanda MGM $177,889,000 1988
33 Cocktail Buena Vista / Touchstone Pictures $171,504,781 1988
34 Three Men and a Baby Buena Vista / Touchstone Pictures $167,780,960 1987
35 Born on the Fourth of July Universal Pictures $161,001,698 1989
36 Beverly Hills Cop II Paramount Pictures $299,965,036 1987
37 Gremlins Warner Bros. $153,083,102 1984
38 Big 20th Century Fox $151,668,774 1988
39 Die Hard 20th Century Fox $140,767,956 1988
40 The Naked Gun: From the Files of Police Squad! Paramount Pictures $140,000,000 1988
41 Platoon Orion Pictures $138,530,565 1986
42 The Karate Kid Columbia Pictures $130,000,000 1984
43 The Karate Kid Part II Columbia Pictures $130,000,000 1986
44 An Officer and a Gentleman Paramount Pictures $129,795,554 1982
45 Gandhi Goldcrest Films / NFDC India $127,767,889 1982
46 Rocky III Metro-Goldwyn-Mayer $124,146,897 1982
47 Good Morning, Vietnam Buena Vista / Touchstone Pictures $123,922,370 1987
48 On Golden Pond Universal Pictures $119,285,432 1981
49 Shaolin Temple Chung Yuen Motion Picture Company $111,851,439 1982
50 Star Trek IV: The Voyage Home Paramount Pictures $109,713,132 1986

In the list, where revenues are equal numbers, the newer films are listed lower, due to inflation making the dollar-amount lower compared to earlier years.

Lists of films

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See also

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Notes

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References

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  1. ^ Ebert, Roger; Bordwell, David (2008). Awake in the Dark: The Best of Roger Ebert (Paperback ed.). Chicago and London: The University of Chicago Press. p. xvii. ISBN 978-0226182018. In his pluralism, [Roger] Ebert proved a more authentic cinephile than many of his contemporaries. They tied their fortunes to the Film Brats and then suffered the inevitable disappointments of the 1980s return to studio-driven pictures.
  2. ^ Fleming, Charles (1998). High concept: Don Simpson and the Hollywood culture of excess. Doubleday. ISBN 978-0-385-48694-1.
  3. ^ "Tango & Cash - Box Office Data". The Numbers. Retrieved 2011-07-24.
  4. ^ "Always (1989) - IMDb". IMDb.
  5. ^ Breznican, Anthony (August 24, 2004). "PG-13 remade Hollywood ratings system". Seattle Post-Intelligencer. Retrieved June 27, 2016.
  6. ^ Shamsian, Jacob (24 August 2015). "Here's why Quentin Tarantino isn't worried about the influx of franchise films". Business Insider. Retrieved 27 June 2016. Back in the '80s, when movies sucked—I saw more movies then than I'd ever seen in my life, and the Hollywood bottom-line product was the worst it had been since the '50s—that would have been a great time [for Superhero films].
  7. ^ Jones, Kent (2004). The Last Great American Picture Show: New Hollywood Cinema in the 1970s: "The Cylinders Were Whispering My Name". Amsterdam University Press. ISBN 9789053566312. Retrieved 27 June 2016 – via Google Books. This was the beginning of the 1980s, the worst decade ever for American movies...
  8. ^ Bordwell, David (20 November 2008). "Observations on film art : It's the 80s, stupid". David Bordwell's website on cinema. David Bordwell & Kristin Thompson. Retrieved 28 June 2016.
  9. ^ a b c "1982 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  10. ^ "1980 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  11. ^ a b c d e f g h i j "1989 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  12. ^ "Back to the Future (1985)". Box Office Mojo. Archived from the original on 2020-10-01. Retrieved July 14, 2024.
  13. ^ "Star Wars: Episode VI – Return of the Jedi". Box Office Mojo. Archived from the original on February 29, 2020. Retrieved February 29, 2020.
  14. ^ a b "Top 1986 Movies at the Worldwide Box Office". The Numbers.
  15. ^ a b c "1986 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  16. ^ a b c d e f g h i j k "1988 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  17. ^ a b "1981 Worldwide Gross". Box Office Mojo. Archived from the original on 2020-08-23. Retrieved 2020-08-23.
  18. ^ a b c "1984 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  19. ^ "Top 1987 Movies at the Worldwide Box Office". The Numbers.
  20. ^ "Beverly Hills Cop (1984)". The Numbers.
  21. ^ Box Office Information for Rambo: First Blood Part II Box Office Mojo via Internet Archive. Retrieved February 8, 2023.
  22. ^ a b "1985 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  23. ^ "Ghostbusters (1984)". Box Office Mojo. Retrieved 2024-07-14.
  24. ^ "Tootsie's Crossdressing Comedy with a Heart of Gold Shouldn't Have Worked, but It Did". Paste Magazine. December 17, 2022.
  25. ^ Gorelik, Boris (12 July 2014). "Jamie se treffer: Met Uys, ja – die wêreld in". Rapport. Media24. Archived from the original on 14 July 2014. Retrieved 14 July 2014.
  26. ^ a b c "1987 Worldwide Gross". Box Office Mojo. Retrieved 2018-09-05.
  27. ^ a b Hurlburt, Roger (3 July 1989). "Martial Arts Flick Loses Kick Third Time Around". Sun-Sentinel. Archived from the original on 2019-03-26. Retrieved 27 January 2021. The Karate Kid (1984) and the sequel, The Karate Kid Part II, went on to gain critical acclaim and $130 million each at the box office
  28. ^ "Gandhi (1982) - Box Office Data, DVD and Blu-ray Sales, Movie News, Cast and Crew Information". The Numbers. Archived from the original on 7 April 2015. Retrieved 27 January 2015.
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